Lucia Bachner

fet zen memo

2022

During the residency in Neumünster, Germany I reflected on the city’s textile history in the context of how to handle and preserve memory. Woven porcelain structures mixed with copper oxide left traces on porcelain tiles during firing. The series shows processes of fragmentation and decomposition and the simultaneous attempt to keep memory through language, symbols and signs.

Dimensions variable

Essentials

2022

Essentials is a site-inspired, participatory installation with borrowed inventory and objects. Ten manufactured porcelain cups were exchanged with ten cups from the management department of Pfefferwerk Stadtkultur gGmbH. The coffee mugs were placed on a borrowed table in the exhibition space. The installation loosely refers to the history of the site, as a former brewery and an upcoming studio and gallery space of Atelier Booth 17. The exchange of things bonds to social and bureaucratic structures of Pfefferwerk Stadtkultur gGmbH itself and refers to moments of gathering to have a drink.

Dimensions variable

I go to Earth

2020

Beeswax, wick, stainless steel screws 

Ultra-thin beeswax panels are melted down and cast anew each time they are on display

195 × 115 × 0.1–0.5 cm, 3.5–6 liters, numer of panels is variable 

Stadium/Onion

2020

quarter-circle segment made from oxidized beeswax within a 7-meter radius of the entrance door 

r 700 × h 0.3 × w 5 cm, 2.8 liters

Säule

2019

Beeswax cast, fiberglass rods, aluminum tips, hanger bolts, adjusting rings 

340 × 30 cm, ∅ 4 cm, 4.3 liters

gggfff

2018

Porcelain casts made from beeswax models, rubber tubes, aluminum

Title is variable and depends on arrangement of wall objects

Three to nine parts, each approx. 70 × 50 × 8 cm

Lauf

2017

Porcelain pipes, hose connecters, steel 

360 × 70 × 15 cm and 350 × 310 × 90 cm

deposit.international

2017

Lasercut metal and wood plug-in system, website: www.deposit.international

Collaboration with graphic designer Paul Rutrecht
50 steel panels, resembling a bank locker symstem, are for sale during a long-term auction. Sold plates are chronologically replaced by brass plates and signify a bid on the entire wall work. The course of the auction could be seen on the website.

155 × 75 × 1 cm

Studies

2020

Master of Fine Arts, HfbK Hamburg, Pia Stadtbäumer

2017

Bachelor of fine Arts, HfbK Hamburg, Pia Stadtbäumer / Ceal Floyer 

Exhibitions (Selection) 

2022

fet zen memo, solo, Keramikkünstlerhaus Neumünster

2022

reboot, curated by Atelier Booth 17 by Pfefferwerk Stadtkultur gGmbH, Pfefferberg, Berlin

2022

Versa, curated by Interface, Salon am Moritzplatz, Berlin

2021

One Echo Or More, MOM Art Space, Hamburg

2021

Tuta Spatium, Duo with Nschotschi Haslinger, curated by Paul Glaw (Pauls Boutique) and Galerie Oelfrüh, Hochbunker in Rotenburgsort, Hamburg

2020

This Timeless Time Of The Year, curated by Lisa Klosterkötter and Elena Malzew, AEDT (Projectspace), Düsseldorf

2018

Working the Dog, solo, curated by Steffen Albrecht, Golden Pudel Club, Hamburg

2017

Qu‘ils mangent de la brioche, curated by Lisa Klosterkötter, Kubendorf, Artville, Hamburg

2017

Saloon under the bridge #1, curated by Peggy Pehl and Katrin Freytag, Renault Clio, Brücke U2, Gleisdreieck, Berlin

2016

Simple life, Duo with Alex Chalmers, curated by Lisa Klosterkötter, Reeperbahnfestival, Hamburg

2016

one life - live it well, curated by Team Titanic, Holmes Place Charlottenburg, Berlin

2016

thank you, come again, duo with Alex Chalmers, curated by Lisa Klosterkötter, HUGS, Hamburg

2015

This is how to become a model, curated by Levente Pavelka, Island, Hamburg

Press / Publications

2019

contribution to the print edition of the Gruppe Magazine, Gruppe Issue #1, Berlin 

2018

Lakeside Meditator, Gruppe Magazine

2016

Saloon Under The Bridge #1, KubaParis

Further

2022

Residency, Keramikkünstlerhaus Neumünster

2018–2019

glassblowing workshop, chemical department, University Hamburg

2018

Closing, Gruppe Magazine Residency, Blake & Vargas, Berlin

2015

innovative citizen, Fraunhofer Umsicht, Dortmunder U

Scholarships / Grants

2022

Neustart Kultur, Stiftung Kunstfonds

2018

Masters scolarship, HfbK Hamburg

2015

Projektfond, Freundeskreis der HfbK Hamburg 

Collections

2022

Dr. Hans Hoch foundation

Contact

lucia.bachner@gmail.com

EU Dispute Resolution

The European Commission provides a platform for online dispute resolution (OS): https://ec.europa.eu/consumers/odr/. You can find our e-mail address in the imprint above. Consumer dispute resolution/universal arbitration body: We are not willing or obliged to participate in dispute resolution proceedings before a consumer arbitration board.

Disclaimer

Despite careful control of the content, we do not assume any liability for the content of external links. The operators of the linked pages are solely responsible for their content.

Copyright

The contents and works on these pages are subject to German copyright law. Duplication, processing, distribution and any kind of exploitation outside the limits of copyright require the written consent of the author, Lucia Bachner.

Webdesign and Development

Jens Schnitzler

Photo Credits

Edwart Greiner
I go to Earth
1, 2
AEDT Düsseldorf
I go to Earth
3, 4
Manuel Stehli
gggfff
1
Yi Li
Lauf
1, 2
Klaus Frahm
deposit.international
1, 2

The creation of this website was made possible in 2022 by funding from:

Lucia Bachner

fet zen memo

2022

During the residency in Neumünster, Germany I reflected on the city’s textile history in the context of how to handle and preserve memory. Woven porcelain structures mixed with copper oxide left traces on porcelain tiles during firing. The series shows processes of fragmentation and decomposition and the simultaneous attempt to keep memory through language, symbols and signs.

Dimensions variable

Essentials

2022

Essentials is a site-inspired, participatory installation with borrowed inventory and objects. Ten manufactured porcelain cups were exchanged with ten cups from the management department of Pfefferwerk Stadtkultur gGmbH. The coffee mugs were placed on a borrowed table in the exhibition space. The installation loosely refers to the history of the site, as a former brewery and an upcoming studio and gallery space of Atelier Booth 17. The exchange of things bonds to social and bureaucratic structures of Pfefferwerk Stadtkultur gGmbH itself and refers to moments of gathering to have a drink.

Dimensions variable

I go to Earth

2020

Beeswax, wick, stainless steel screws 

Ultra-thin beeswax panels are melted down and cast anew each time they are on display

195 × 115 × 0.1–0.5 cm, 3.5–6 liters, numer of panels is variable 

Stadium/Onion

2020

quarter-circle segment made from oxidized beeswax within a 7-meter radius of the entrance door 

r 700 × h 0.3 × w 5 cm, 2.8 liters

Säule

2019

Beeswax cast, fiberglass rods, aluminum tips, hanger bolts, adjusting rings 

340 × 30 cm, ∅ 4 cm, 4.3 liters

gggfff

2018

Porcelain casts made from beeswax models, rubber tubes, aluminum

Title is variable and depends on arrangement of wall objects

Three to nine parts, each approx. 70 × 50 × 8 cm

Lauf

2017

Porcelain pipes, hose connecters, steel 

360 × 70 × 15 cm and 350 × 310 × 90 cm

deposit.international

2017

Lasercut metal and wood plug-in system, website: www.deposit.international

Collaboration with graphic designer Paul Rutrecht
50 steel panels, resembling a bank locker symstem, are for sale during a long-term auction. Sold plates are chronologically replaced by brass plates and signify a bid on the entire wall work. The course of the auction could be seen on the website.

155 × 75 × 1 cm

Studies

2020

Master of Fine Arts, HfbK Hamburg, Pia Stadtbäumer

2017

Bachelor of fine Arts, HfbK Hamburg, Pia Stadtbäumer / Ceal Floyer 

Exhibitions (Selection) 

2022

fet zen memo, solo, Keramikkünstlerhaus Neumünster

2022

reboot, curated by Atelier Booth 17 by Pfefferwerk Stadtkultur gGmbH, Pfefferberg, Berlin

2022

Versa, curated by Interface, Salon am Moritzplatz, Berlin

2021

One Echo Or More, MOM Art Space, Hamburg

2021

Tuta Spatium, Duo with Nschotschi Haslinger, curated by Paul Glaw (Pauls Boutique) and Galerie Oelfrüh, Hochbunker in Rotenburgsort, Hamburg

2020

This Timeless Time Of The Year, curated by Lisa Klosterkötter and Elena Malzew, AEDT (Projectspace), Düsseldorf

2018

Working the Dog, solo, curated by Steffen Albrecht, Golden Pudel Club, Hamburg

2017

Qu‘ils mangent de la brioche, curated by Lisa Klosterkötter, Kubendorf, Artville, Hamburg

2017

Saloon under the bridge #1, curated by Peggy Pehl and Katrin Freytag, Renault Clio, Brücke U2, Gleisdreieck, Berlin

2016

Simple life, Duo with Alex Chalmers, curated by Lisa Klosterkötter, Reeperbahnfestival, Hamburg

2016

one life - live it well, curated by Team Titanic, Holmes Place Charlottenburg, Berlin

2016

thank you, come again, duo with Alex Chalmers, curated by Lisa Klosterkötter, HUGS, Hamburg

2015

This is how to become a model, curated by Levente Pavelka, Island, Hamburg

Press / Publications

2019

contribution to the print edition of the Gruppe Magazine, Gruppe Issue #1, Berlin 

2018

Lakeside Meditator, Gruppe Magazine

2016

Saloon Under The Bridge #1, KubaParis

Further

2022

Residency, Keramikkünstlerhaus Neumünster

2018–2019

glassblowing workshop, chemical department, University Hamburg

2018

Closing, Gruppe Magazine Residency, Blake & Vargas, Berlin

2015

innovative citizen, Fraunhofer Umsicht, Dortmunder U

Scholarships / Grants

2022

Neustart Kultur, Stiftung Kunstfonds

2018

Masters scolarship, HfbK Hamburg

2015

Projektfond, Freundeskreis der HfbK Hamburg 

Collections

2022

Dr. Hans Hoch foundation

Contact

lucia.bachner@gmail.com

EU Dispute Resolution

The European Commission provides a platform for online dispute resolution (OS): https://ec.europa.eu/consumers/odr/. You can find our e-mail address in the imprint above. Consumer dispute resolution/universal arbitration body: We are not willing or obliged to participate in dispute resolution proceedings before a consumer arbitration board.

Disclaimer

Despite careful control of the content, we do not assume any liability for the content of external links. The operators of the linked pages are solely responsible for their content.

Copyright

The contents and works on these pages are subject to German copyright law. Duplication, processing, distribution and any kind of exploitation outside the limits of copyright require the written consent of the author, Lucia Bachner.

Webdesign and Development

Jens Schnitzler

Photo Credits

Edwart Greiner
I go to Earth
1, 2
AEDT Düsseldorf
I go to Earth
3, 4
Manuel Stehli
gggfff
1
Yi Li
Lauf
1, 2
Klaus Frahm
deposit.international
1, 2

The creation of this website was made possible in 2022 by funding from: