2022
Woven porcelain structures mixed with copper oxide left traces on porcelain tiles during firing. The series shows processes of fragmentation and decomposition and the simultaneous attempt to keep memory through language, symbols and signs.
Dimensions variable
2022
Essentials is a site-inspired, participatory installation with borrowed inventory and objects. Ten manufactured porcelain cups were exchanged with ten cups from the management department of Pfefferwerk Stadtkultur gGmbH. The installation loosely refers to the history of the site, as a former brewery and an upcoming studio and gallery space of Atelier Booth 17. The exchange of things bonds to social and bureaucratic structures of Pfefferwerk Stadtkultur gGmbH itself and refers to moments of gathering to have a drink.
Dimensions variable
2020
Beeswax, wicks, screws
Ultra-thin beeswax panels are melted down and cast anew each time they are on display
195 × 115 × 0.1–0.5 cm, 3.5–6 liters, number of panels is variable
2020
quarter-circle segment made from oxidized beeswax within a 7-meter radius of the entrance door
r 700 × h 0.3 × w 5 cm, 2.8 liters
2019
Beeswax cast, fiberglass rods, aluminum tips, hanger bolts, adjusting rings
340 × 30 cm, ∅ 4 cm, 4.3 liters
2018
Porcelain casts made from beeswax models, rubber tubes, aluminum
Title is variable and depends on arrangement of wall objects
Three to nine parts, each approx. 70 × 50 × 8 cm
2017
Porcelain pipes, hose connecters, steel
360 × 70 × 15 cm and 350 × 310 × 90 cm
2017
Lasercut metal and wood plug-in system, website: www.deposit.international
Collaboration with graphic designer Paul Rutrecht
50 steel panels, resembling a bank locker symstem, are for sale during a long-term auction. Sold plates are chronologically replaced by brass plates and signify a bid on the entire wall work. The course of the auction could be seen on the website.
155 × 75 × 1 cm
2020
Master of Fine Arts, HfbK Hamburg, Pia Stadtbäumer
2017
Bachelor of fine Arts, HfbK Hamburg, Pia Stadtbäumer / Ceal Floyer
2023
From Texture to Temptation, together with Hannah Bohnen and Silke Radenhausen, Stadtgalerie Kiel
2023
Review, Keramikkünstlerhaus Neumünster
2022
fet zen memo, solo, Keramikkünstlerhaus Neumünster
2022
2022
2021
One Echo Or More, MOM Art Space, Hamburg
2021
Tuta Spatium, together with Nschotschi Haslinger, curated by Paul Glaw (Pauls Boutique) and Galerie Oelfrüh, Hochbunker in Rotenburgsort, Hamburg
2020
This Timeless Time Of The Year, curated by Lisa Klosterkötter and Elena Malzew, AEDT (Projectspace), Düsseldorf
2018
Schwäne füttern, solo, Working the Dog, solo, curated by Steffen Albrecht, Golden Pudel Club, Hamburg
2017
Qu‘ils mangent de la brioche, curated by Lisa Klosterkötter, Kubendorf, Artville, Hamburg
2017
Saloon under the bridge #1, curated by Peggy Pehl and Katrin Freytag, Renault Clio, Brücke U2, Gleisdreieck, Berlin
2016
Simple life, curated by Lisa Klosterkötter, Reeperbahnfestival, Hamburg
2016
issue #22 | one life - live it well, curated by Team Titanic, Holmes Place Charlottenburg, Berlin
2016
thank you, come again, together with Alex Chalmers, curated by Lisa Klosterkötter, HUGS, Hamburg
2015
This is how to become a model, together with Verena Buttmann, curated by Levente Pavelka, Island, Hamburg
2019
contribution to the print edition of the Gruppe Magazine, Gruppe Issue #1, Berlin
2018
Lakeside Meditator, Gruppe Magazine
2022
Residency, Keramikkünstlerhaus Neumünster
2018–2019
glassblowing workshop, chemical department, University Hamburg
2018
Closing, Gruppe Magazine Residency, Blake & Vargas, Berlin
2015
innovative citizen, Fraunhofer Umsicht, Dortmunder U
2023
Neustart Kultur Plus, Stipend, Stiftung Kunstfonds
2022
Neustart Kultur, Stipend, Stiftung Kunstfonds
2018
Masters scolarship, HfbK Hamburg
2015
Projektfond, Freundeskreis der HfbK Hamburg
2022
Dr. Hans Hoch foundation
Lucia Bachner
Mareschstraße 3
12055 Berlin
phone: 015734687491
mail: lucia.bachner@gmail.com
The European Commission provides a platform for online dispute resolution (OS): https://ec.europa.eu/consumers/odr/. You can find our e-mail address in the imprint above. Consumer dispute resolution/universal arbitration body: We are not willing or obliged to participate in dispute resolution proceedings before a consumer arbitration board.
Despite careful control of the content, we do not assume any liability for the content of external links. The operators of the linked pages are solely responsible for their content.
The contents and works on these pages are subject to German copyright law. Duplication, processing, distribution and any kind of exploitation outside the limits of copyright require the written consent of the author, Lucia Bachner.
The creation of this website was made possible in 2022 by funding from:
2022
Woven porcelain structures mixed with copper oxide left traces on porcelain tiles during firing. The series shows processes of fragmentation and decomposition and the simultaneous attempt to keep memory through language, symbols and signs.
Dimensions variable
2022
Essentials is a site-inspired, participatory installation with borrowed inventory and objects. Ten manufactured porcelain cups were exchanged with ten cups from the management department of Pfefferwerk Stadtkultur gGmbH. The installation loosely refers to the history of the site, as a former brewery and an upcoming studio and gallery space of Atelier Booth 17. The exchange of things bonds to social and bureaucratic structures of Pfefferwerk Stadtkultur gGmbH itself and refers to moments of gathering to have a drink.
Dimensions variable
2020
Beeswax, wicks, screws
Ultra-thin beeswax panels are melted down and cast anew each time they are on display
195 × 115 × 0.1–0.5 cm, 3.5–6 liters, number of panels is variable
2020
quarter-circle segment made from oxidized beeswax within a 7-meter radius of the entrance door
r 700 × h 0.3 × w 5 cm, 2.8 liters
2019
Beeswax cast, fiberglass rods, aluminum tips, hanger bolts, adjusting rings
340 × 30 cm, ∅ 4 cm, 4.3 liters
2018
Porcelain casts made from beeswax models, rubber tubes, aluminum
Title is variable and depends on arrangement of wall objects
Three to nine parts, each approx. 70 × 50 × 8 cm
2017
Porcelain pipes, hose connecters, steel
360 × 70 × 15 cm and 350 × 310 × 90 cm
2017
Lasercut metal and wood plug-in system, website: www.deposit.international
Collaboration with graphic designer Paul Rutrecht
50 steel panels, resembling a bank locker symstem, are for sale during a long-term auction. Sold plates are chronologically replaced by brass plates and signify a bid on the entire wall work. The course of the auction could be seen on the website.
155 × 75 × 1 cm
2020
Master of Fine Arts, HfbK Hamburg, Pia Stadtbäumer
2017
Bachelor of fine Arts, HfbK Hamburg, Pia Stadtbäumer / Ceal Floyer
2023
From Texture to Temptation, together with Hannah Bohnen and Silke Radenhausen, Stadtgalerie Kiel
2023
Review, Keramikkünstlerhaus Neumünster
2022
fet zen memo, solo, Keramikkünstlerhaus Neumünster
2022
2022
2021
One Echo Or More, MOM Art Space, Hamburg
2021
Tuta Spatium, together with Nschotschi Haslinger, curated by Paul Glaw (Pauls Boutique) and Galerie Oelfrüh, Hochbunker in Rotenburgsort, Hamburg
2020
This Timeless Time Of The Year, curated by Lisa Klosterkötter and Elena Malzew, AEDT (Projectspace), Düsseldorf
2018
Schwäne füttern, solo, Working the Dog, solo, curated by Steffen Albrecht, Golden Pudel Club, Hamburg
2017
Qu‘ils mangent de la brioche, curated by Lisa Klosterkötter, Kubendorf, Artville, Hamburg
2017
Saloon under the bridge #1, curated by Peggy Pehl and Katrin Freytag, Renault Clio, Brücke U2, Gleisdreieck, Berlin
2016
Simple life, curated by Lisa Klosterkötter, Reeperbahnfestival, Hamburg
2016
issue #22 | one life - live it well, curated by Team Titanic, Holmes Place Charlottenburg, Berlin
2016
thank you, come again, together with Alex Chalmers, curated by Lisa Klosterkötter, HUGS, Hamburg
2015
This is how to become a model, together with Verena Buttmann, curated by Levente Pavelka, Island, Hamburg
2019
contribution to the print edition of the Gruppe Magazine, Gruppe Issue #1, Berlin
2018
Lakeside Meditator, Gruppe Magazine
2022
Residency, Keramikkünstlerhaus Neumünster
2018–2019
glassblowing workshop, chemical department, University Hamburg
2018
Closing, Gruppe Magazine Residency, Blake & Vargas, Berlin
2015
innovative citizen, Fraunhofer Umsicht, Dortmunder U
2023
Neustart Kultur Plus, Stipend, Stiftung Kunstfonds
2022
Neustart Kultur, Stipend, Stiftung Kunstfonds
2018
Masters scolarship, HfbK Hamburg
2015
Projektfond, Freundeskreis der HfbK Hamburg
2022
Dr. Hans Hoch foundation
Lucia Bachner
Mareschstraße 3
12055 Berlin
phone: 015734687491
mail: lucia.bachner@gmail.com
The European Commission provides a platform for online dispute resolution (OS): https://ec.europa.eu/consumers/odr/. You can find our e-mail address in the imprint above. Consumer dispute resolution/universal arbitration body: We are not willing or obliged to participate in dispute resolution proceedings before a consumer arbitration board.
Despite careful control of the content, we do not assume any liability for the content of external links. The operators of the linked pages are solely responsible for their content.
The contents and works on these pages are subject to German copyright law. Duplication, processing, distribution and any kind of exploitation outside the limits of copyright require the written consent of the author, Lucia Bachner.
The creation of this website was made possible in 2022 by funding from:
